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Introducing Tracklib’s Bespoke Clearance Model

Tracklib’s Bespoke Clearance Model offers a flexible licensing solution by adjusting royalty rates to fit artist-label deals.

By Tracklib

What Are Royalty-Free Samples—and How to Check If They Are Actually Royalty Free?

When using sample packs, it’s important for music producers that the conditions of sample usage are crystal clear. Royalty-free audio loops and sample libraries are great to download, but how to check if they are actually royalty-free? This guide helps find the best sample providers to get unlimited access to loops and libraries that are guaranteed royalty-free.

By Tracklib

How to Make Money from Music Online (2025 Guide)

How to make money with music is a million-dollar question, pun intended. This overview collects all of Tracklib's expert-written guides on the subject.

By Tracklib

Online DAWs vs. Traditional DAWs: The Pros, Cons, and Hidden Advantages

Digital audio workstations (DAWs) are a vital element of modern music production. While most producers opt for industry-standard DAWs such as Ableton or Pro Tools, as technology and software has developed, more and more producers are exploring the world of online DAWs. Below we’ve explored various options and assessed the many benefits and advantages of using online DAWs, hosted on the internet.

By Tracklib

Discover the Best Royalty-Free EDM Samples for Your Tracks

Any seasoned EDM producer will recognize the laborious process of finding free samples for their music. In a market oversaturated with low-quality, generic samples, it can be near-impossible to find the perfect sample for your particular style of EDM. Whether you're producing house, techno, or dubstep, a quality sample can make or break your track.

By Tracklib

Sample Spacey Synths That Coincided the Launch of the Voyagers

Read between the synth lines, and there's one thing 'In the Regions of Sunreturn' makes clear: electronic musician Michael Garrison has a fascination for space exploration and astronomy. Soon after the launch of Voyager 1 & 2 in 1977, the synthesizer player headed into the studio to work on an album "dedicated to the infinite journeys" of the interstellar probes.