Education
The “break” of a song refers to a brief instrumental section where the track is reduced to its core percussive elements. In other words, all of the melodic elements of a track (the bass, the synths, the vocals, etc.) disappear, leaving only the drumbeat. Initially, before the innovations of early hip-hop, this was used by disco DJs in order to build tension before a satisfying return to the full track. Though the breaks were popular and would allow people to dance for longer periods, these sections were usually shorter and weren’t the emphasis of the track.
But not all DJs followed this rulebook. Throughout the 1970s, at block parties in the Bronx, DJs like Kool Herc would pioneer an emphasis on the breakbeat itself, looping it over and over so the "break-boys" and "break-girls" could continue to dance.
These drum loops, usually sampled from funk, soul, and disco records, would form the basis of what became hip-hop. Take for instance the iconic drums of NWA’s “Straight Outta Compton.” This legendary beat is simply a slowed sample of a four-bar break on the song, "Amen, Brother" by The Winstons. This infectious drum pattern, provided by the great Gregory C. Coleman, has since become one of the most popular breaks in hip-hop and drum-and-bass.
Similarly, the opening four bars of “Apache” by The Incredible Bongo Band became a favourite amongst early hip-hop pioneers.
However, at this point, DJs were simply looping bars from a break, keeping the original drummer's playing intact. Though many iconic tracks were crafted with this technique, it didn’t give producers enough control over the dynamics and patterns of their beats.
Later, with the advent of ground-breaking drum machines like the famous SP-12 and Akai MPC, hip-hop producers like Marley Marl would take sampling to a new level, isolating—or chopping—single elements of a drum break (such as the kick drum, snare, and/or hi-hat) and sequencing them to their own designs. Producers like J Dilla and DJ Shadow are renowned for this style of production.
Though these techniques are still practiced by countless producers, it’s safe to say that drum sampling has changed drastically with the rise of DAWs, virtual drum kits, stock loops, sample packs, and even AI-assisted drum-sampling tools.
Now, rather than the need to chop up a sample and program it yourself, DAWs have drum kits that are designed specifically for hip-hop. Indeed, an upcoming producer might reasonably ask why you would spend time searching through samples of real drum breaks when your DAW already has drum presets that work well enough. In other words, why do any crate-digging when we have a virtual drum kit right at our fingertips?
Producers might even opt to use one of the many AI-assisted drum-sampling tools now on the market. Some of these are tools which allow for the isolation of certain elements of a track (i.e. drums, bass, vocals). Others, like Drumloop AI, allow users to draw a beat or enter a text prompt, which will then be converted into a drum beat or loop. Additionally, Tracklib’s website features software that matches drum beats from various different genres to your chosen sample, giving you a sense of how your track could sound.
Though this argument probably holds some credence today, there is something to be said for the raw, authentic, and un-synthesized feel of real drum sampling.
So how should the modern hip-hop producer approach drum sampling in the age of endless sample packs and virtual drum kits? This question will be explored in this article along with a delve into Tracklib’s own library of iconic and rare breaks.
Before exploring the best drum loops on the market, it’s worth briefly explaining the actual process of sampling, chopping, and programming a drum loop or break.
Firstly, a producer must find a break or drum sound that piques their interest. This process, dating back to the earliest hip-hop, is known as crate-digging; a reference to the act of flicking through crates of vinyl records.
Then, after locating the break of the track, the producer can now choose to either loop a select number of bars or “chop” up the beat, isolating various parts (i.e. snare, kick, hi-hat) and mapping them onto a drum machine (this can be a physical machine like the Akai MPC or a digital plug-in).
Though this part may sound complex, it’s a fairly intuitive process. Of course, it should be noted that the dynamics, tempo, and overall sound of your sample can be adjusted in radical and even unrecognisable ways.
This is the most well-known use of the drum break. The producer simply takes a few bars from a drum break or isolated percussion track and loops them to form the beat. In many cases, the producer will adjust the tempo of the beat to attain a different feel. This process is most commonly associated with early hip-hop and was initially popular due to its use at block parties.
Chopping is the process of cutting up a drum sample, mapping it to a drum machine or MIDI keyboard, and rearranging it. For example, a producer might love the sound of the drums on an old funk record but the overall drum pattern doesn’t fit a hip-hop style. In order to get around this barrier, the producer will isolate the individual elements of the drumbeat and play them to their liking. Now the producer has the authentic sound, timbre, and tone of the original drum recording but can use those sounds in a totally unique way.
Though this has often been achieved using drum sequencers, nowadays there are plenty of plugins (stock and third-party) that can do the trick. For example, along with the included sampler plugins of most DAWs, there are also free, third-party plugins like Momentum that are enormously useful.
Though this is not a technical term, it’s worth remembering that with modern technology, producers are almost limitless in their abilities to mold sounds and samples. In other words, don’t be afraid to manipulate drum samples into altogether unrecognizable sounds. This technique, in which one uses effects and editing techniques to twist the sound, can also help avoid any copyright claims. That being said, for both legal and ethical reasons, we’d still recommend that you clear the sample.
Despite the connotation of tech jargon, drum programming simply refers to the producer’s arrangement of a drum pattern. In other words, once the individual drum elements have been mapped to a MIDI interface (this could be a standard MIDI keyboard or a drum machine), the producer must now decide how these sounds are organized (i.e. the placement of the kick, the quantization of the snare, the strength of the hi-hat).
Sometimes this process can be instinctive with the producer “playing” the drum machine and seeing what works. Alternatively, it can be a more clinical effort in which the producer places each note with their mouse on their DAW’s piano roll.
In addition, the programming will differ between genres. Old-school boom-bap beats tend to be simpler with an aggressive, unpolished sound. The beats of J Dilla or Madlib are characterized by a looser feel, in part due to an intentional lack of quantization. Modern trap beats, on the other hand, are more rigid, defined by skittering, synthetic-sounding drums.
Improving your drum sound can be a detailed, multifaceted process. One might want to “fatten” the snare by increasing the low-end, or by applying some light compression. If your sound is a bit lifeless, one can always add some reverb or a small delay for a bit more depth. Finally, don’t be afraid to change the pitch and tempo of the drums.
All in all, using a variety of plugins (compressors, reverbs, filters, echos, EQs, etc.) and editing techniques, it’s worth experimenting with your drum sound until it feels right to you. However, keep in mind that there is no tried and true way to achieve the “best” drum sound.
At this point, one might wonder what to do if you love the drums on a track but there is no break in which the drums are isolated. There are several ways to go about this.
Firstly, one can use software like LALAL.AI or DeMIX Pro to digitally isolate the drum track. Though this can be effective, occasionally the final audio download will be imperfect and slightly warped.
Alternatively, you could simply recreate the drum beat yourself using an actual drum set or a virtual instrument. Though this method risks losing the specific drum sound from the original recording, it allows the producer to imitate the drum pattern whilst avoiding any potential copyright issues.
Finally, one could attempt to track down the original stems or multitracks of the recording. Check out some of our multitracks below:
This is a tricky issue with several key caveats. Firstly, providing you have paid for the download of the track, sampling is only illegal if you are making a profit from the use of that sample or sharing it in any public forums. In other words, if you are sampling drums in your beats and not sharing them anywhere, there is no need to worry about copyright or clearance. However, if you are planning on making a profit through the beats (i.e. selling them, earning streaming revenue, or using them for commercial activities), it’s always advisable to seek out the owner of the copyright and ask permission to use. However, if you don’t want the hassle of clearing your samples, you can always browse through Tracklib’s library of songs and sounds that are easy to clear through the platform.
As for the question of where to find drum samples, there is a fairly straightforward answer. There are sampleable drums in any song with a drum beat. Whether you’ve found a great break on a rare, dusty record or you’ve heard an amazing, vintage drum sound on YouTube, there are endless undiscovered gems for producers to work with. That being said, rather than the time-consuming task of listening through records until you find something you like, one might prefer to have these samples stored in one place, organized in a vast library of high-quality, licensed tracks.
Though we at Tracklib offer an impressive range of licensed drum samples, the actual means of beat production is another question altogether. Traditionally, this process of drum sampling has been achieved using a drum machine. Hardware like the Roland TR-808 and the Akai MPC were influential in the development of genres like hip-hop and dance. In fact, the influence of the 808 on hip-hop has been compared to the Fender Stratocaster’s influence on rock music.
Thankfully, spending money on such equipment has been made less important thanks to the development of VST plugins (Virtual Studio Technology). Now, producers can simply download software like Serato (paid) or Momentum (free) for intuitive, quick, and high-quality sampling. Where J Dilla would have to flick through heaps of records before sampling them on his MPC 3000, the modern producer can simply download a track, open their digital audio workstation and upload it to their preferred sampler plugin.
Often producers will face a difficult barrier when their desired drum loop is buried amidst the surrounding track’s instrumentation. Thankfully, Tracklib allows producers to sidestep this frustrating process by gaining access to the original multitracks. This means that for much of Tracklib’s library, under the master recording there will be a selection of instrumental downloads for each element of the song (bass, drums, guitar, piano, etc.). This is an enormously helpful resource for producers trying to achieve a streamlined process. Rather than the inferior imitations of some sample packs and virtual drum kits, Tracklib offers original recordings.
Though many will prefer the human touch within music, AI is becoming a more and more prominent in the field of music production. From subtle usages, like the AI-assisted isolation of certain parts of a song, to more intense usages, like the creation of an entire song from scratch, AI is becoming a major player in the industry.
With regard to drum sampling, AI can be useful in several respects. Producers might isolate and extract drums from a track they’d like to sample. Alternatively, some producers might auto-generate a drum loop in the style of a certain sub-genre.
In short, AI allows hip-hop producers to streamline their workflow, making production as efficient and hassle-free as possible.
Finding a reliable source for drum samples can be a tiresome exercise, so below we have provided a curated list of top platforms for finding premium and free drum loops. In addition to our guide Drum Samples: The Best Free & Premium Libraries, here's a short overview to get you started in the right direction:
Always a reliable option for royalty-free sounds of all kinds, Splice is a straight-forward library to browse drum loops and one-hits. The app integrates seamlessly into any DAW and all samples are accessible for a monthly fee, giving producers and beatmakers unlimited resources.
Powered by Loopmasters, this cloud-based sample library is enormously powerful. All of their samples are completely royalty-free and are easy to preview within your DAW before downloading. Loopcloud has a three-tier subscription model, offering an Artist, Studio, and Professional plan, each with impressive offerings to beat makers. Once you’ve chosen a tier, you will have access to over 4 million samples.
Used by some major figures in the beat-making scene, Real Drum Samples is a reliable source for the best sample packs for producers and artists. Amongst the many strengths of the site, beat-makers will be pleased to hear that Real Drum Samples gives away 100+ premium drum samples for free.
Looperman is another good option for producers, offering a near-limitless supply of community-sourced drum samples. Use their magnificent advanced search option to really pin down the type of drum sample you’re looking for.
Copyright and sample clearance is a vital part of making sample-based hip-hop in 2025. There are several key things to keep in mind.
Firstly, there are two different licenses you’ll need to attain in order to sample a track. One is a license for permission to sample the master recording (usually owned by the artist or label). The second is a license for permission to use the underlying composition (usually owned by the songwriter and/or music publisher), or in other words, the publishing. Locating and then attaining these two licenses can be a lengthy, strenuous process.
In order to find the rights holders, it’s worthing checking the records at the major music publishing databases (PROs). This will be organisations like BMI or ASCAP in the US, and PRS in the UK. Once you’ve established contact, you’ll then have to negotiate the terms of the agreement. The terms of the deal and split of royalties will depend on a variety of factors, but not limited to this:
How recognisable is the sample?
How prominently is the sample featured in your song?
Which parts of the song are being used (vocals, instrumentation, or everything)?
If the song is already released without clearing the sample, this of course greatly impacts the negotiation.
The good news is that with Tracklib, you don't need to worry about any of this. We got you covered.
Ultimately, drum sampling—or any sampling, for that matter—is an art form requiring practice and care. From Kanye West to J Dilla to even bands like The Verve, this technique of music production is now an enormous part of our culture and thus deserves to be accessible to producers without huge budgets for sample clearance. That's what we're all about here at Tracklib. Find out how it works.