Inspiration
"Motherfuck the big three, n*gga, it's just big me." Kendrick Lamar clapped back in response to J.Cole's brag on "First Person Shooter" that he's part of the big three together with Drake and K. Dot. To Kendrick, there's only one reigning ruler in the hip-hop kingdom.
Produced by Metro Boomin.
Akin to a reverse sample treatment by DJ Dahi, the intro of "euphoria" hints that "Everything they say about me is true" with a flipped line from The Wizard of Oz. The surprise drop dropped one month after "Like That" and was Kendrick Lamar's first official response to Drake's diss tracks "Push Ups" and "Taylor Made Freestyle."
Produced by Sounwave, Cardo, Kyro, Johnny Juliano, Yung Exclusive.
Kendrick Lamar's plotting and scheming goes deep. Even the sample on "6:16 in LA" is part of the diss. Drake's uncle, Mabon 'Teenie' Hodges plays guitar on the original soul record by Al Green. Family matters indeed... Even the soul legend himself responded to the release of "6:16 in LA" by sharing his 70s soul classic "What a Wonderful Thing Love Is" on X.
Produced by Sounwave & Jack Antonoff.
"He didn't make the beat for the diss. He gave Kdot that beat long ago not knowing it was gonna wind up for this."
—Questlove on X/Twitter
To this date, the main sample in "Meet the Grahams" is still an unsolved mystery. However, The Alchemist did respond to the fact that Kendrick Lamar used his beat for this diss track without him knowing it. When he was asked on X if he was bothered that Questlove detailed that information, he replied with a joke: "Nah but I was extremely bothered and downright livid when I realized that all these years I did not know that Cap'n Crunch's full name is Horatio Magellan Crunch."
Andrew Wartts & The Gospel Storytellers - Can You Say Yeah? (1982)
Produced by The Alchemist.
As if the triple whammy of "euphoria," "6:16 in LA," and "meet the grahams" wasn't enough, the relentless drop of "Not Like Us" puts the final nail in the coffin. The DJ Mustard-produced track dropped less than 24 hours after "meet the grahams," showing no mercy to the OVO camp.
Produced by DJ Mustard.
Producer Metro Boomin chimed in with "BBL Drizzy BPM 150." The title is a hilarious nod to a Brazilian butt lift, referring to a claim by Rick Ross that Drake had a nose job and a BBL. In line with that plastic nature, Metro Boomin used an AI-generated sample by comedian King Willonius. A few weeks later, Drake and Sexyy Red sampled "BBL Drizzy" in their single "U My Everything," which set a new precedent for AI sample clearances.
Produced by Metro Boomin.
Things get ugly with Drake's "Family Matters." In the song, he makes claims of infidelity, the use of ghostwriters, and domestic abuse of Kendrick's wife, Whitney Alford. Even the music video is a diss by itself: it is said that Drake bought the van used in the artwork of good kid, m.A.A.d city, and had it delivered to Canada to destroy it for the music video.
Produced by Boi-1da, Tay Keith, Mark Ronson, Fierce, Kevin Mitchell, Dramakid, Preme, Jordan Fox.
The title of this track refers to Kendrick Lamar's "The Heart Part 5," which dropped during the roll-out of Mr. Morale & The Big Steppers. Whereas "Prove It"—another smart use of the title of an original sample—flips Aretha Franklin, production trio Beach Noise turned to another soul legend for Kendrick Lamar's non-album single: Marvin Gaye.
Produced by Boi-1da, Mark Ronson, Tay Keith, Fierce, Kevin Mitchell.
See how Kendrick Lamar and Drake have both used Tracklib to find and clear samples fast and affordably—through production by DJ Dahi, Sounwave, and Conductor Williams.